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Viewing Room 09: Paintings by Claire Cansick and new ceramic sculpture by James Evans

Forthcoming exhibition
2 - 30 May 2026
  • Overview
  • Works
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026
Open a larger version of the following image in a popup: James Evans, Lost Sequence, 2026

James Evans

Lost Sequence, 2026
Ceramic
48 x 35 x 24 cm
£ 2,100.00
James Evans, Lost Sequence, 2026
Sold
James Evans, Lost Sequence, 2026
Sold
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Further images

  • (View a larger image of thumbnail 1 ) James Evans, Unconfirmed Fragments, 2026
  • (View a larger image of thumbnail 2 ) James Evans, Unconfirmed Fragments, 2026
  • (View a larger image of thumbnail 3 ) James Evans, Unconfirmed Fragments, 2026
  • (View a larger image of thumbnail 4 ) James Evans, Unconfirmed Fragments, 2026
  • (View a larger image of thumbnail 5 ) James Evans, Unconfirmed Fragments, 2026
  • (View a larger image of thumbnail 6 ) James Evans, Unconfirmed Fragments, 2026
  • (View a larger image of thumbnail 7 ) James Evans, Unconfirmed Fragments, 2026
For this exhibition I wanted to consider the language of the material and create the right conditions for the material to sing. I want it to be a collaborative engagement...
Read more
For this exhibition I wanted to consider the language of the material and create the right conditions for the material to sing. I want it to be a collaborative engagement between myself and clay, but for me to take the backseat a little more than usual. When composing a piece there is a dance between my vision and clays persuasive nature, and it’s easy to ignore and erase the materiality in trying to achieve one’s goals. So, I’ve been listening, playing and having fun. There is another relationship at play here and that is the union of the glaze embracing the form. I don’t usually fire to stoneware, but the fusion at these high temperatures creates a singular form. With the form in mind, I avoid directly representing the human body or any other intuitive input, my wish is to create lively forms and rich surfaces that invite a haptic gaze.
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Related artists

  • Claire Cansick

    Claire Cansick

  • James Evans

    James Evans

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